Ordering of Sentences
In each question, the first and the last sentences of the passage are numbered S1 and S6 respectively. The rest of the passage is split into four parts. These four sentences are jumbled. Read the sentences and identify their correct and logical order. S1: I never took payment for speaking.P: The Sunday Society would then assure me that on these terms I might lecture on anything I liked and how I liked.Q: It often happened that provincial Sunday societies offered me the usual ten genuine fee to give the usual sort of lecture, avoiding controversial politics and religion.R: Occasionally to avoid embarrassing other lecturers who lived by lecturing, the account was settled by a debit and credit entry, that is, I was credited with the usual fee and expenses and gave it back as a donation to the society.S: I always replied that I never lectured on anything but very controversial politics and religion and that my fee was the price of my railway ticket third class if the place was farther off than I could afford to go at my own expense.S6: In this way I secured perfect freedom of speech, and was warmed against the accusation of being a professional agitator.The Proper sequence should be:

SQRP
QSPR
SQPR
QSRP

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Ordering of Sentences
In each question, the first and the last sentences of the passage are numbered S1 and S6 respectively. The rest of the passage is split into four parts. These four sentences are jumbled. Read the sentences and identify their correct and logical order. S1: We speak today of self-determination in politics.P: So long as one is conscious of a restraint, it is possible to resist it or to bear it as a necessary evil and to keep free in spirit.Q: Slavery begins when one ceases to feel the restraint and it depends on if the evil is accepted as good.R: There is, however, a subtler domination exercised in the sphere of ideas by one culture on another.S: Political subjection primarily means restraint ion the outer life of people.S6: Cultural subjection is ordinarily of an unconscious character and it implies slavery from the very start.The Proper sequence should be:

SPRQ
RSPQ
RSQP
SPQR

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Ordering of Sentences
In each question, the first and the last sentences of the passage are numbered S1 and S6 respectively. The rest of the passage is split into four parts. These four sentences are jumbled. Read the sentences and identify their correct and logical order. S1: Gandhi's first political fast was made soon after his return from Africa.P: He had also received help from this man's sister.Q: This was when the poor labourers of the cotton mills of Ahmedabad were on strike.R: He was a friend of the largest mill-owner.S: Gandhi had made the strikers promise to remain on strike until the owners agreed to accept the decision of an arbitrator.S6: He did not fast against the mill owners, but in order to strengthen the determination of the strikers.The Proper sequence should be:

PQSR
RPQS
QSRP
SRPQ

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Ordering of Sentences
In each question, the first and the last sentences of the passage are numbered S1 and S6 respectively. The rest of the passage is split into four parts. These four sentences are jumbled. Read the sentences and identify their correct and logical order. S1: A transformation of consciousness is now beginning to express itself in the field of theoretical architecture.P: In the still theoretical structure an attempt is being made to create a house that is "a domestication of an ecosystem."Q: What is happening in the architecture is a shift from the international style of the post industrial era to a symbolic structure.R: Since architecture is the collective unconscious made visible, the architect does not himself always understand the full cultural implications of his own work.S: The new form is not a celebration of power over new materials, but a celebration of cooperation with ecosystem.S6: The relationship between culture and nature is changed, for the architect grows a house like a garden.The Proper sequence should be:

RQSP
SQRP
PRSQ
QPSR

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Ordering of Sentences
S1: Instantly the full load yanked Gordy towards the side of the bridge. P: But the pull of the cable was too much. Q: He could hardly feel the cable, slipping through his fingers, ripping off his gloves, and streaking over the railing like an escaping snake. R: It smashed his hands hard against the top of the railing, causing a split - second feeling of fierce pain followed by numbness. S: He held on to the cable; it had been hard work lifting it, and he did not want to have to start over again. S6: Feeling a sharp burning sensation where the cable was speeding between his things, Gordy rose on tiptoe and as he did, the slithering coil of cable tightened around his left foot and yanked him over the railing. The Proper sequence should be:

SPRQ
PRQS
RPQS
QSRP

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